Future Frames 2017 Interview: Liene Linde (Director of Seven Awkward Sex Scenes. Part One)
Our final interview of the 10 Future Frames participants from 2017 takes place with Latvian director Liene Linde who talks influences and biting the hand that feeds her.
10 July 2017, by Laurence Boyce
Future Frames 2017 Review: Seven Awkward Sex Scenes. Part One
Cineuropa Shorts concludes it's Future Frames coverage with a review of Liene Linde's brave and raw exploration of sexuality and creativity.
06 July 2017, by Laurence Boyce
Future Frames 2017 Interview: Elsa María Jakobsdóttir (Director of Atelier)
Cineuropa Shorts speak to the Icelandic director about living in Denmark and finding the perfect space.
05 July 2017, by Laurence Boyce
Future Frames 2017 Review: Atelier
Cineuropa Shorts finds out that Icelandic director Elsa María Jakobsdóttir's film is a brittle yet haunting affair.
05 July 2017, by Laurence Boyce
Future Frames 2017 Review: Atlantis, 2003
Already screened as part of Cinefondation 2017, Cineuropa Shorts looks at Alantis, 2003 which screens at Future Frames
04 July 2017, by Laurence Boyce
Future Frames 2017 Interview: Michal Blaško (Director of Atlantis, 2003)
Slovak director Michal Blaško talks to Cineuropa Shorts about his tense and moving short film Atlantis, 2003
04 July 2017, by Laurence Boyce
Future Frames 2017 Interview: Matei Lucaci-Grunberg (Director of Bones For Otto)
Cineuropa Shorts chats to the Romanian director about his film following the world's oldest profession.
03 July 2017, by Laurence Boyce
Future Frames 2017 Review – Bones For Otto
Cineuropa Shorts looks at the Romanian film that takes part of Future Frames
03 July 2017, by Laurence Boyce
Future Frames 2017 Interview: Maria Eriksson (Director of Schoolyard Blues)
Cineuropa Shorts talks to the Swedish director about working with children and getting the right performance
02 July 2017, by Laurence Boyce
Future Frames 2017 Review: Schoolyard Blues
As EFP's Future Frames begins at Karlovy Vary, Cineuropa Shorts continues its coverage with a review of Maria Eriksson's elegaic film about childhood
02 July 2017, by Laurence Boyce
