Future Frames 2017 Review – Bones For Otto
Cineuropa Shorts looks at the Romanian film that takes part of Future Frames
03 July 2017, by Laurence Boyce
Future Frames 2017 Interview: Maria Eriksson (Director of Schoolyard Blues)
Cineuropa Shorts talks to the Swedish director about working with children and getting the right performance
02 July 2017, by Laurence Boyce
Future Frames 2017 Review: Schoolyard Blues
As EFP's Future Frames begins at Karlovy Vary, Cineuropa Shorts continues its coverage with a review of Maria Eriksson's elegaic film about childhood
02 July 2017, by Laurence Boyce
Future Frames 2017 Interview: Kirsikka Saari (Director of After The Reunion)
Cineuropa Shorts interviews Kirsikka Saari as she talks about her film After The Reunion
01 July 2017, by Laurence Boyce
Future Frames 2017 Review: After The Reunion
As we continue with our Future Frames coverage, we look at Kirsikka Saari's treatise on aging and acceptance.
01 July 2017, by Laurence Boyce
Future Frames 2017 Review: Waiting For Ana
Cineuropa Shorts coverage of Future Frames continues with a intimate and carefully observed character study from Georgia
30 June 2017, by Laurence Boyce
Future Frames 2017 Interview: Giorgi Mukhadze (Director of Waiting For Ana)
Cineuropa Shorts asks the the Georgian director about his meditation on sibling disconnection.
30 June 2017, by Laurence Boyce
Future Frames 2017 Interview: Katrina Morano (Director of Ljubljana-München 15:27)
Cineuropa Shorts talks to Slovenian director Katarina Morano about her moving film about transition and change which is due to screen as part of Future Frames.
29 June 2017, by Laurence Boyce
Future Frames 2017 Review: Greetings From Kropsdam
Cineuropa Shorts continues its Future Frames coverage with a dark take on provincial mentality
28 June 2017, by Laurence Boyce
Future Frames 2017 Interview: Joren Molter (Director of Greetings From Kropsdam)
Small town mentaility and painterly villages are some of the topics for discussion as Cineuropa Shorts talks to the Netherlands director about his dark satire.
28 June 2017, by Laurence Boyce
